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Onyeabor’s looks and sounds are both oceans away from the bleak perception of his struggling
jittery guitar
"get in the booth—punch in the number when they pick up don’t say a word just listen shout at the double from the damned from a dry throat dry eye chuckle insistent / elastic (but never plastic) thick / butt jump pierced by the kids sweet angel voice sinister (what are they thinking) guitars sliced with scribble graffiti sprawled across the hemispheres
Muscles and tones soften in the romantic deconstruction of “The Endless Story”
) Their presence helps pinpoint the big bang of Akron's more experimental contingent
PISSED JEANS - Why Love Now LP garage Onyeabor’s looks and sounds areIncludes download code. On a less loaded song cycle, Why Love Nows relative tunefulness would be the narrative. No wave pioneer Lydia Lunch produced the album along with black metal practitioner Arthur Rizk, and while that seems like it should be a recipe for discord, the pairing somehow resulted in the cleanest, most high fidelity Pissed Jeans record yet. None of the bands primary influences ever made an album this approachablenot Melvins, not the
